On An Overgrown Path: Think on these things

With those words of the Buddha from the Kalama Sutta and a photo from my travels on the the Manali to Leh highway in Jammu and Kashmir I leave you to spin again on the wheel of life. Take care but also take risks.

via On An Overgrown Path: Think on these things.

This read like a farewell blog post, and so far there hasn’t been another from On an Overgrown Path.

Although quoting that particular passage of the Buddha’s teachings seems a good way to close a blog, I hope it’s not the last we hear from its author. Overgrown Path is consistently one of the blogs I read that feels substantial. The ideas are provocative, and the intersection of western and eastern and middle-eastern values and traditions and art forms offers a fresh look at what art and life can be. There’s a kind of myopic focus that exists in any field, whether classical music or otherwise, and I appreciate On and Overgrown Path for breaking free of the nonsense and looking for real meaning, both via the questions it asks and the answers it suggests.

Nevertheless, if that is the final post, then I wish its author the best.

Opera is for Everyone…Opera is Not for Everyone

Opera is not for everyone. That’s right. It’s not for everyone. I love it, lots of people love it (thank goodness or we wouldn’t have anyone to sing to) but it really isn’t for ‘all.’ Now, wait: I did NOT just say that opera is elitist, or exclusive, or too hard for the average joe or jane to understand…just that it’s not for EVERYONE. Some people just don’t like opera. Not for political reasons, not because they don’t have access to it, not because they feel excluded by it, but because they don’t actually like it. They have tried it, and it doesn’t do it for them.

via Voicing the unspeakable? Opera is NOT for everyone. | Scribblings of a Mad Soprano.

I’m conflicted about this. On the one hand, I’ve long believed that if we compare opera to the movies, then we’ll find that many people like some movies but aren’t “movie people”. Real film lovers are a unique breed, and most people who watch movies are not fans in that way. This could potentially be the case with most art forms. The people in the audience just need to enjoy themselves enough to come back again at some point, though the real fans will come to much more.

Practically speaking though, opera requires a certain amount of commitment just to get in the door. The ticket is more expensive (though probably cheaper than most people think). There are fewer times slots. And, yes, the language is often one the audience doesn’t speak in a musical style that is rarely fashionable. It’s a higher bar to entry than movies, especially as movies move closer to being internet products available on demand at home at any time.

State and Metropolitan Area Arts Participation Tables | NEA

State and Metropolitan Area Arts Participation Tables | NEA.

Lots of information here regarding artistic attendance and participation in regions within the United States. I think the big surprise is Colorado, which is just killing it with classical concert attendance at 20.8%, expressed here by Anne Midgette:

Lots to parse here.

Can’t sing? Do it more often — ScienceDaily

From Science Daily, reporting on research from Northwestern University:

The ability to sing on key may have more in common with the kind of practice that goes into playing an instrument than people realize, said lead researcher Steven Demorest, a professor of music education at Northwestern’s Bienen School of Music.

“No one expects a beginner on violin to sound good right away, it takes practice, but everyone is supposed to be able to sing,” Demorest said. “When people are unsuccessful they take it very personally, but we think if you sing more, you’ll get better.”

via Can’t sing? Do it more often — ScienceDaily.

Singing well requires practice. And don’t ever let anyone tell you that you’re tone deaf. Just keep singing.