http://iansidden.com/2009/06/pavarotti-age-26-to-44/#utm_source=feed&utm_medium=feed&utm_campaign=feed Tue, 07 Feb 2012 16:00:36 +0000 hourly 1 http://wordpress.org/?v=3.3.1 http://iansidden.com/2009/06/pavarotti-age-26-to-44/comment-page-1/#comment-254 Everardo Wed, 06 Jan 2010 21:37:39 +0000 http://beginning-singer.iansidden.com/?p=906#comment-254 al escuchar a Pavarotti, que encuentro genial las dos interpretaciones, De igual modo me gusta la versión de Bergonzi. Pienso que están a la mismp nivel o quizas mejor. al escuchar a Pavarotti, que encuentro genial las dos interpretaciones, De igual modo me gusta la versión de Bergonzi. Pienso que están a la mismp nivel o quizas mejor.

]]> http://iansidden.com/2009/06/pavarotti-age-26-to-44/comment-page-1/#comment-253 Sophia Fri, 28 Aug 2009 08:30:52 +0000 http://beginning-singer.iansidden.com/?p=906#comment-253 First of all, can I just say I'm in love with Pavarotti and this aria? Secondly, I've heard both of these recordings, before. With some singers, I tend to like certain periods of theirs more than others. However, with other singers like Pavarotti who had such a great vocal longevity, I tend to appreciate different recordings from different times for the different dimensions of the artistry. The first recording I love, because, I am so into hearing early, rare, and live recordings of singers. The passion, here, is that of a young person, finally singing where and what he is meant to sing. The sound is pure and there is that youthful audacity. The second recording is that of a veteran of the stage and of the role, returning to the comfort of the familiar aria and character. There are new dimensions present in it. Both are equally beautiful, for different reasons. And, p.s. I had noticed that excitement in the first recording, before you mentioned it, here. I totally agree. It was obvious, even then, that this voice and artist was very special, indeed. First of all, can I just say I’m in love with Pavarotti and this aria? Secondly, I’ve heard both of these recordings, before. With some singers, I tend to like certain periods of theirs more than others. However, with other singers like Pavarotti who had such a great vocal longevity, I tend to appreciate different recordings from different times for the different dimensions of the artistry. The first recording I love, because, I am so into hearing early, rare, and live recordings of singers. The passion, here, is that of a young person, finally singing where and what he is meant to sing. The sound is pure and there is that youthful audacity. The second recording is that of a veteran of the stage and of the role, returning to the comfort of the familiar aria and character. There are new dimensions present in it. Both are equally beautiful, for different reasons. And, p.s. I had noticed that excitement in the first recording, before you mentioned it, here. I totally agree. It was obvious, even then, that this voice and artist was very special, indeed.

]]>