For the most part I can look at it without much emotional interpretation. I certainly have my criticisms of my work, but I also can recognize what I did well.

But even more surprising is that I rarely think of it now. In many ways, by simply having done the opera I've already moved beyond it. Things I couldn't do then I can do now. It's like I was lifting vocal weights during the rehearsals and the performances and only AFTER – when I gave myself some real rest – was I able to let myself recuperate into a new place technically. I have very little desire to judge what I did because I know that I can already do better now.

The challenge now is to stay in shape and not lose that growth.

How about you?

You mentioned that you have had lots of positive feedback on your performance, but how do you feel about it? Do you find that you are able to conjure a non-judgmental analysis of your performances?

It's imprecise, but it's a good way to tell whether someone is capable of singing any specific piece. If they can sing the high notes but can't really handle the tessitura for an extended period, then it's probably not a good fit.

It's funny how the term has been used in other contexts.