Cassio and VoceVista

VoceVista

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These past few months since Le nozze di Figaro have been mostly pretty quiet. I’ve completely switched back to tenor, and I’ve been obsessing over a few technical issues while learning the role of Cassio in Verdi’s Otello.

I’m performing Cassio and Roderigo this summer with Center Stage Opera. This is a local

Tenor or a Baritone? 5 Questions to Help you Decide

Here are five questions to help anyone who’s ever questioned whether they are a baritone or tenor.

Vocalise: Front Vowel Leading Tone Exercise

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A .png for those without Scorch

At a coaching this week with Julian Reed of Arizona Opera (which was an excellent coaching btw), I was instructed to sing this exercise. The goal is to take the pure [i] and [e] as high as your upper passaggio (flip, bridge, break). Use the

Whoa! Graduation, “Tenor-hood” and Passaggio

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The past few weeks since my last post have been absolutely crazy. One should never underestimate the various finales that accompany the end of a graduate degree.

In the background since I have not been writing (on this blog anyway, I have written several rather long papers for school), I have been