Check out this voice robot from Professor Hideyuki Sawada.
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Tweet These past few months since Le nozze di Figaro have been mostly pretty quiet. I’ve completely switched back to tenor, and I’ve been obsessing over a few technical issues while learning the role of Cassio in Verdi’s Otello. I’m performing Cassio and Roderigo this summer with Center Stage Opera. This is a Tweet Treat your ideas like babies! Name them. As singers, we have all probably experienced the thought, “I could do it in my teacher’s studio, but I cannot do it anywhere else.” Being unable to reproduce results outside the studio is very frustrating and leads to insecurity when working away with the Tweet In my last post, I was very excited about lift. Still am. But I have found some dangers. It is important to note, for example, that a new technique does not render invalid all old techniques. It’s not necessary to sing with the most ring all of the time. In fact, in Tweet Thanks, Rockwell Blake! One day, I walked into my teacher’s office, and he, excitedly, showed me this video: Despite his having seen it before, we both sat there exclaming and cursing and brain storming aloud what could have allowed Rockwell Blake to have such breath control (Since then, I must |
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