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Vocalise: “Gathering” Arpeggio

February 28, 2009 By Ian Sidden

gathering-arpeggio
So this week’s vocalise is a hybrid of sorts. I learned the actually pattern from my earlier teacher Dr. Day. But I learned other ways to think about this from my current teacher Andrew Zimmerman.

The arpeggio is an effort to help shift registration and vowel modification higher in the voice. The singer ascends on a pure [a]. At the top note, a closed vowel ([i] or [u]) is introduced. It is slightly changed to the next closest closed vowel ([e] or [o]) and is then returned to [a], on which the singer descends.

The challenge is to leave the voice “gathered”. This is the term my teacher uses to describe the clear focused feeling that accompanies good phonation. You can easily hear the absence of this in young singers when they try to sing open vowels; the tone is often breathy and spread. Here, the vowel begins closed and “gathered”, and as it is slowly opened towards [a] (without pausing the phonation) the singer’s tone must remain in that “gathered” state.

This can really add to the clarity of tone and ease in high notes. It’s also a smooth way to introduce vowel modification.

If you have any thoughts, let me know.

Related posts:

Default ThumbnailVocalise: Dr. Day’s Modified Messa di Voce Default ThumbnailVocalise: Front Vowel Leading Tone Exercise Default ThumbnailVocalise: Modified Messa di Voce Default ThumbnailVocalise: Onset Variations Feb. 20,2009

Filed Under: Craft Tagged With: Vocalises

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Comments

  1. snailmeister says

    March 5, 2009 at 2:09 pm

    I like it.

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Ian Sidden is currently a bass member of the Theater Dortmund Opera chorus. Read More…

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