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A Corner for Gratitude

November 9, 2017 By Ian Sidden

There was a moment in Die Blume von Hawaii, where I always tried to pay meta attention to what was happening and feel gratitude for it. Laya and Lilo Taro were singing in subdued light, while the rest of the cast and chorus were frozen, having just sung a big ensemble.

I was singing as Kanako Hilo and was situated center at the front corner of a high platform. One step forward, and I’d fall several meters to the stage, but while frozen, my sight could linger on the audience without it being weird. The music and the lights all came together in a swirling magic, and the drop in front of me provided the private illusion of flying.

In this moment, I felt intense appreciation for the audience’s presence, and I saw how lucky I was to be onstage singing. I reminded myself that I was there through a mixture of effort and sacrifice and luck, and that I had wanted this and was getting it at that moment. I knew I shouldn’t let it silently pass by without that recognition.

There was a similar moment in Don Giovanni, where everyone other than Don Giovanni himself was silent and sitting down in a semi-circle. I loved this production and this scene in particular, so it always came naturally that I felt gratitude for it. Masetto was in a rough place, but Ian was happy and was acutely aware of that happiness.

The gratitude was, however, tied to the knowledge that it wouldn’t last forever. Writing this now, these productions of Blume and Don Giovanni are gone, and the likelihood that I’ll get to do them again is almost nil. More broadly, I’m aware that I won’t get to sing professionally forever. There will come a day, whether by choice or not, where this path will come to an end.

And even more broadly, all of this that is now will pass. And by maintaining some corner of the mind for being grateful now, perhaps we can know that we’ve had our fill when the time comes to let go.

Filed Under: About the Music, Craft Tagged With: Die Blume von Hawaii, don giovanni, gratitude

Premiere: Die Blume von Hawaii

January 21, 2017 By Ian Sidden

Deutsch

Heute Abend im Opernhaus Dortmund findet die Premiere von Paul Abrahams Die Blume von Hawaii statt. Ich singe die Kombi-Rolle Kanako Hilo und Kaluna (Kanako spricht und Kaluna singt, obwohl praktisch bin ich Kanako Hilo die ganze Zeit).

Wie Roxy und ihr Wunderteam ist die Musik eine Jazz und Operette Mischung. Man kann klassische Stimmen und Stepptanz von der Bühne hören, aber es gibt viel mehr dazu zu erleben. Viele Farben. Viel Humor. Viel, das schön und kreativ ist.

Ich freue mich sehr auf die Premiere. Toi toi toi an allen Beteiligten!

English

Tonight in Opernhaus Dortmund is the premiere of Paul Abraham’s Die Blume von Hawaii. I’m singing a combination role of Kanako Hilo and Kaluna (Kanako talks while Kaluna sings, but practically speaking I’m Kanako Hilo the whole time if that makes any sense).

Like Roxy und ihr Wunderteam, this contains a mixture of jazz and operetta musical influences. The audience will hear classical voices and tap dancing very near to one another, but there’s much more to experience. Many colors. Lots of humor. Much beauty and creativity.

I’m very much looking forward to it. Toi toi toi to all!

Mehr Infos/More Information

https://www.theaterdo.de/detail/event/die-blume-von-hawaii/

Filed Under: My News Tagged With: Die Blume von Hawaii, Kaluna, Kanako Hilo, Paul Abraham, Premiere, Theater Dortmund

About Ian

Ian Sidden is currently a baritone member of the Theater Dortmund Opera chorus. Read More…

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