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Back to Baritone

October 12, 2010 By Ian Sidden

For the past 4 months or so, I’ve been moving back to my baritone rep and really liking it. So I decided to switch back, and it’s taken me this long to figure out how to write about it.

It Feels Good

When I switched to tenor I really believed that it was appropriate, but after a year and a half where I’ve performed in a higher tessitura and recorded myself and made every attempt to make it work…it just hasn’t. It’s not that I was awful as a tenor. It’s just that I feel better as a baritone.

And that’s it. I could make technical sounding arguments both for and against singing tenor, but I don’t want to do that. I feel better as a baritone. The whole experience feels more like a massage for my throat. I like it, and I’m happier singing as a baritone.

Am I Just Being Lazy?

When my teacher and I talked about it (and, yes, even though Andrew lives in New Mexico I still consider him my teacher), we talked about the difference in effort between tenor and baritone. Tenor is more vocally strenuous than baritone. It sits higher – relatively speaking and in general– for longer than baritone equivalents.

However, as Andrew pointed out, it shouldn’t feel like it is “300% more difficult”. That’s about what it felt like.

I’ll still practice tenor repertoire occasionally. By singing high, I learn how to sing high. By singing something so challenging, I feel like my technique and strength have improved. It’s like vocal weightlifting. I am now bringing that to my baritone repertoire, and I feel like I’ve never sung as well. Suddenly, it takes more effort to sing as a baritone, but it feels like the right kind of effort.

And some songs’ “higher” keys feel better. Just because baritones are lower doesn’t mean we need to sit in the nether regions of our voices all the time if something might fit better.

Why Did This Post Take Me So Long?

It’s taken awhile for me to write this. I’ve been afraid that this makes me look incompetent or foolish because I was so certain. And I wrote some things during that time that I plainly disagree with now. Yet the nature of a blog is that it never forgets, and the longer you write the more this becomes evident.

For context: these posts about “tenor or baritone” stuff have consistently been my most viewed and commented upon material by people who have stumbled across the site. I need to acknowledge that my circumstances have changed and that this may affect the way my prior content is perceived. Or I could just delete the offending posts and move on.

However to delete those older posts outright would feel wrong. I deleted a few when I combined Beginning Singer and iansidden.com, and I wish that I hadn’t. It just goes against – in my opinion – the beauty of blogs as a “log”. But I do need to clarify and adjust some of the things I wrote. So I will write a follow up and embed a link to it in those earlier posts announcing that some of my opinions have changed.  This will take me some time to get finalized.

In the meantime, I’m practicing a lot and loving it. I’m learning new rep, and I’ve begun working with an accompanist here in PA. There’s also a ton of music to check out in the Northeast.

Thank you for reading.

About the image: This is my first attempt at using the Open Source Inkscape program. If you can’t afford or don’t want to use Illustrator, then it’s pretty nice.

Filed Under: Craft, My News Tagged With: Andrew Zimmerman, Fach, Internet, personal updates

Personal Updates

July 27, 2009 By Ian Sidden

Sorry for my dearth of posts this last week. A number of major events have taken place that made it near impossible to post.

First, I moved from my old apartment into a new one, and the internet is not on. It won’t be on until Thursday.

Second, the show that I assembled and directed Homeward Bound: The Music of Simon and Garfunkel opened last weekend. It got a very enthusiastic responses from the audience. Unfortunately, we lost a cast member the night before the second weekend, so we had to shuffle to revamp the show. The cast got it together and made the second weekend a success.

Third, I’m actually writing from Glenwood Springs, CO. My girlfriend and I drove up yesterday from Las Cruces, and we are staying presently at the Glenwood Springs Hostel. The prices are right for a poor beginning singer, and the atmosphere is friendly. I highly recommend staying here if you are ever in the area.

We’re up here because PhoebeJoy Wong and I are giving a recital in Aspen tomorrow. The Aspen Music Festival and School is going on right now, and PhoebeJoy got us a spot to perform in one of the student recitals. I’m very excited! I’m hoping to get some videos that I will post on iansidden.com.

That’s all for now. We’ll be driving back on Wednesday, and as soon as I can, I will finish out the Stage Fright series and post a new vocalise.

Happy singing!

Filed Under: My News Tagged With: aspen, personal updates, recitals

Whoa! Graduation, “Tenor-hood” and Passaggio

May 10, 2009 By Ian Sidden

The past few weeks since my last post have been absolutely crazy. One should never underestimate the various finales that accompany the end of a graduate degree.

In the background since I have not been writing (on this blog anyway, I have written several rather long papers for school), I have been exploring my new “tenor-hood”. My opera focus so far has been on Rossini, Donizetti and Mozart almost exclusively. For songs, I have bought the same song books that I had before in higher keys. And it’s been working just fine. However, within my own personal craziness, I have a fear that I am like the Emperor of “The Emperor’s New Clothes”, and my tenor-hood is like his proud nakedness. Of course, no innocent children have come along to pop this bubble yet, so I continue. I wonder if anyone who changes voice type experiences similar doubts. Please let me know if you do!

Because of this shift, I have now come to know and fear my own passaggio. I had never experienced it before as a baritone because I never sang high enough! The only time I really sang notes within it were on my highest notes G and Ab. I never felt like I could really lay into them and sing loudly. And that’s why. My passaggio is pretty high.

For those of you who don’t know, the passaggio is the “passageway” between registers in voices. In the way I think about it (and along with breathing register talk tends to be very  controversial amongst singers and pedagogues) men have one main passaggio area while women tend to have several. It is, at first, very difficult to work with it because certain vowels work very poorly within it, and it is hard to sing loudly within it. It also feels like it may be ready to crack if the poor singer does not move very carefully through it. So the singer must abandon a certain amount of fear to even begin dealing with it because otherwise it’s too nerve wracking.

So, the main point that I want to get across is that I am writing again and that this change to tenor is occupying a great deal of my thoughts on singing. Thus it will be mentioned quite a bit on here, especially as I become more adept at moving through my passaggio and I find things to share that may help other singers.

I have also graduated and have my Masters of Music degree. Pretty cool. :)

Here’s a video with Rockwell Blake singing an aria that I am currently working on. There is some of that awful digital video delay, but if it bothers you, just close your eyes and listen.This guy is just awesome, and I hope you enjoy it!

Filed Under: Craft, My News Tagged With: passaggio, personal updates, Rockwell Blake, tenor

Timeout

April 22, 2009 By Ian Sidden

I am currently working on wrapping up graduation (papers, orals). It may be a week or so before I can give myself over to a full post. Until then, happy singing!

Filed Under: My News Tagged With: personal updates

Tenor? Baritone? Oy…

April 9, 2009 By Ian Sidden

I’m a baritone. I’m a tenor. I’m a baritone. I’m a tenor.

7vagkors_edited-1

Crossroads

Today, I am a tenor. With all this lift stuff, I walked into my lesson and found that I could sing high C sharps with no problem whatsoever. My teacher, who had up until today had serious doubts about me being a tenor, saw the light so to speak. I then sang through “Recondita armonia”, “Ecco ridente” (with an interpolated high C) and some Brahms and Schubert songs in tenor keys with no problems whatsoever.

The idea that I could sing some of those great tenor arias and play some great roles is very exciting, but it’s also frustrating. If I wake up tomorrow, and today was not just some fluke, then I have some serious issues to deal with.

First, I was considering doing auditions sooner rather than later, and that will have to be put on hold while I relearn how to sing and gain stamina in a new fach. Also, I have to decide how to sing some upcoming performances. I am scheduled to sing in NMSU’s opera scenes next week as the Count in Le Nozze di Figaro. So I will still have to do that. I am considering singing a recital at the end of May and perhaps before, so I will have some serious choices there as well.

Part of my consideration must be this, however, and interestingly, I rarely ever read about this in vocal pedagogy books or in discussions of fach: I am not as big as most operatic baritones. Neither physically nor vocally. A couple years ago, I sang in the opera chorus of Arizona Opera’s Macbeth. The guys playing Macbeth were huge. Huge. So were their voices. I can’t fake that. Of course, Macbeth might not be a role for me, but then what is if I have to push and push to get my dark sound heard?

Discussions of vocal fach seem to be rarely cut and dry issues. Several students here at NMSU are in similar situations in trying to decide which path to choose, and it may take years to sort out. Domingo trained as a baritone only to train upwards to a tenor.

Plus, it seems that I have a choice. I could go either way. I just have to choose. But it seems like go with tenor and see what happens.

[Let me reiterate: I am more excited than pessimistic. Something lifts in my heart when I think of singing tenor.]

Filed Under: Craft, My News Tagged With: baritone, Fach, personal updates, tenor

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About Ian

Ian Sidden is currently a bass member of the Theater Dortmund Opera chorus. Read More…

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